![堕ちメイド。【フォーリーサウンド】 [tegurayuki]](https://img.weeabo0.xyz/images/6504ab19ebf5ac62a02ef0f4f17c41ab.jpg "堕ちメイド。【フォーリーサウンド】 [tegurayuki]")
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白髪目隠し褐色メイドとの中出し性処理性活【フォーリーサウンド】
November 7, 2021
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Pervy Married Life With an Elven Princess
November 20, 2021
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JKメイドとの甘々妊娠ご奉仕えっち【フォーリーサウンド】
February 5, 2023
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生中ハメ有りメイドカフェ～えちえちメイドおまんこに貴方の中出しザーメントッピング～【フォーリーサウンド】
November 27, 2021
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though i must confess this work is on my top list, i second your opinion. Im surprised im not the only one believing of Tegurayuki’s lack of creativity. They seem to be following one same formula over and over. the contexts may differ from works to works yet most of them obey one linear story within fixed 8 tracks (chatting-> handjob or blowjob or sth-> virgin sex-> bath-> raw sex-> sleep sound). And they hire similar voice actresses. Yes there are many more contributing to the circle, but I am so familiar with works featuring Mrs Tsumbame, Mrs Akino and Mrs Asagi and even THEM collabing with each other. However i guess that’s their strategy keeping the contents “balance” among works at the same price, though i must say i longed for an another “morning wood service” track like this for ages in afterwards works (they even published the sequel without that track, what a shame).
About the tone and pitch, regarding to mrs Tsubame alone, i find her voicing “style” quite change in the works she participated in these days compared to those in 2022-2020 (such as RJ298231, RJ294912, RJ300204, etc…). Surely she is best in heroines with middle tone, cool voices (and bruh i still have fantasy about me and her character doing sneaky in RJ354453 because of her voice).
An the vocab, yes it is quite a disappointment. There was time Tegurayuki excelled in conveying stories and scenarios by just foley sound and ambient recordings, probably the best example for this is track 9 of RJ294912 and the whole RJ298231 itself. nowadays how many times do i have to hear “今日危険日です、中出ししたら、赤ちゃんできちゃいますよ” (Today is a dangerous day, we might have a baby if you ejaculate inside~). At first it may sound erotic and wholesome, later on it turn out to be somewhat boring. Or there is something about Japanese culture I totally dont have a clue.
Well .. it’s because we don’t have any like 1 on 1 vanilla work’s slot from tegura
I think I know why every YUKITEGRA work looks similar each other. Because they are. In fact, only the setup changes : maid, slave, trap, orgy, etc… But if you compare the voices during sex between works, they almost sound the same. Since the setting changes, it bring some idiosyncrasies : the tone, the pitch, the vocabulary, etc… What do you think? As far as I am concerned, I like their works, they seem to sell well, they publish regularly, so all’s well that ends well.
Yours truly,
The french man of culture from RJ300204
This reply should appear in DLsite.
Sadly it won’t appear because of very heavy moderation on their DLsite review. Unless its mostly contains praise, it won’t be displayed. Looking on DL count is more accurate for us consumer. Works that pass 10.000DL can be trusted to be good.
though i must confess this work is on my top list, i second your opinion. Im surprised im not the only one believing of Tegurayuki’s lack of creativity. They seem to be following one same formula over and over. the contexts may differ from works to works yet most of them obey one linear story within fixed 8 tracks (chatting-> handjob or blowjob or sth-> virgin sex-> bath-> raw sex-> sleep sound). And they hire similar voice actresses. Yes there are many more contributing to the circle, but I am so familiar with works featuring Mrs Tsumbame, Mrs Akino and Mrs Asagi and even THEM collabing with each other. However i guess that’s their strategy keeping the contents “balance” among works at the same price, though i must say i longed for an another “morning wood service” track like this for ages in afterwards works (they even published the sequel without that track, what a shame).
About the tone and pitch, regarding to mrs Tsubame alone, i find her voicing “style” quite change in the works she participated in these days compared to those in 2022-2020 (such as RJ298231, RJ294912, RJ300204, etc…). Surely she is best in heroines with middle tone, cool voices (and bruh i still have fantasy about me and her character doing sneaky in RJ354453 because of her voice).
An the vocab, yes it is quite a disappointment. There was time Tegurayuki excelled in conveying stories and scenarios by just foley sound and ambient recordings, probably the best example for this is track 9 of RJ294912 and the whole RJ298231 itself. nowadays how many times do i have to hear “今日危険日です、中出ししたら、赤ちゃんできちゃいますよ” (Today is a dangerous day, we might have a baby if you ejaculate inside~). At first it may sound erotic and wholesome, later on it turn out to be somewhat boring. Or there is something about Japanese culture I totally dont have a clue.
though i must confess this work is on my top list, i second your opinion. Im surprised im not the only one believing of Tegurayuki’s lack of creativity. They seem to be following one same formula over and over. the contexts may differ from works to works yet most of them obey one linear story within fixed 8 tracks (chatting-> handjob or blowjob or sth-> virgin sex-> bath-> raw sex-> sleep sound). And they hire similar voice actresses. Yes there are many more contributing to the circle, but I am so familiar with works featuring Mrs Tsumbame, Mrs Akino and Mrs Asagi and even THEM collabing with each other. However i guess that’s their strategy keeping the contents “balance” among works at the same price, though i must say i longed for an another “morning wood service” track like this for ages in afterwards works (they even published the sequel without that track, what a shame).
About the tone and pitch, regarding to mrs Tsubame alone, i find her voicing “style” quite change in the works she participated in these days compared to those in 2022-2020 (such as RJ298231, RJ294912, RJ300204, etc…). Surely she is best in heroines with middle tone, cool voices (and bruh i still have fantasy about me and her character doing sneaky in RJ354453 because of her voice).
An the vocab, yes it is quite a disappointment. There was time Tegurayuki excelled in conveying stories and scenarios by just foley sound and ambient recordings, probably the best example for this is track 9 of RJ294912 and the whole RJ298231 itself. nowadays how many times do i have to hear “今日危険日です、中出ししたら、赤ちゃんできちゃいますよ” (Today is a dangerous day, we might have a baby if you ejaculate inside~). At first it may sound erotic and wholesome, later on it turn out to be somewhat boring. Or there is something about Japanese culture I totally dont have a clue.
though i must confess this work is on my top list, i second your opinion. Im surprised im not the only one believing of Tegurayuki’s lack of creativity. They seem to be following one same formula over and over. the contexts may differ from works to works yet most of them obey one linear story within fixed 8 tracks (chatting-> handjob or blowjob or sth-> virgin sex-> bath-> raw sex-> sleep sound). And they hire similar voice actresses. Yes there are many more contributing to the circle, but I am so familiar with works featuring Mrs Tsumbame, Mrs Akino and Mrs Asagi and even THEM collabing with each other. However i guess that’s their strategy keeping the contents “balance” among works at the same price, though i must say i longed for an another “morning wood service” track like this for ages in afterwards works (they even published the sequel without that track, what a shame).
About the tone and pitch, regarding to mrs Tsubame alone, i find her voicing “style” quite change in the works she participated in these days compared to those in 2022-2020 (such as RJ298231, RJ294912, RJ300204, etc…). Surely, she is best in heroines with middle tone, cool voices (and bruh i still have fantasy about me and her character doing sneaky in RJ354453 because of her voice).
The vocab, yes it is quite a disappointment. There was time Tegurayuki excelled in conveying stories and scenarios by just foley sound and ambient recordings, probably the best example for this is track 9 of RJ294912 and the whole RJ298231 itself. nowadays how many times do i have to hear “今日危険日です、中出ししたら、赤ちゃんできちゃいますよ” (Today is a dangerous day, we might have a baby if you ejaculate inside~). At first it may sound erotic and wholesome, later on it turns out to be somewhat boring. Or there is something about Japanese culture I totally dont have a clue.
@Admin All link is dead
ダウンロードできねぇよぉ…
助けてくれぇぇ！
メイドつばめ最高だぜ